These are the many faces of
Sun Ho.
Since City Harvest Church
was founded in 1989, she has taken on many roles, titles and names. As the
co-founder, she was also her pastor. Subsequently, she stepped down as a pastor
to pursue her singing career by relocating to Taiwan.
Recently, with the
leadership vacuum urgently needed to be filled after the conviction in November
last year, she was re-ordained as CHC’s pastor. The hand that ordained her was
none other than her husband's, who is the lead accused in a trial that lasted 142 days
for criminal breach of trust and fraudulent misappropriation.
Kong Hee prayed this over
her: "I pray when she speaks, fire will come out of her belly." He
then asked the congregation to "continue to pray for Sun and our new
generation leadership team, as they work together for CHC 2.0!"
Her public persona did not
end there. There was a time when Sun Ho achieved much success in her singing
career. She stayed on top of music charts with her hit song "Lonely
Travel". She scored internationally with five Mandarin Albums under the
auspice of Warner Music Taiwan. From 2003 to 2006, she released five English
songs which reached the top of the dance club charts of Billboard Magazine and
London-based Music Week. She also collaborated with top music producers like
David Foster and broke into Hollywood with her debut American single
"Where Did Love Go".
Sun Ho had numerous firsts
too. In 2003, she became the first Asian pop singer in Hollywood Film Festival.
He was the only Chinese singer to be invited to the 46th Annual Grammy Award
2004 and in 2007, she was invited to the MTV Europe Awards.
If there were ever a church
leader who was actively participating in the worldly glamor/stardom scene,
soaking up the fame, riches and attention with panache, it had to be Sun Ho.
Unlike many Christian singers
who have drawn the line when it comes to mixing Christian beliefs with worldly
culture, Sun Ho threw herself into it with flair and relish. This intermingling
or cross-pollination came to the fore with her collaboration with
writer/producer Wyclef Jean on the controversial "China Wine".
This is a difficult wine to
swallow for Christians. It reeks more than it uplifts. It smacks of everything
that grates on the sensibility of an earnest believer. The video is anything
but edifying. The sexually suggestive dance moves, glossolalia-like lyrics and fornication-themed narrative are a direct affront to all the enduring values that
were portrayed at Calvary. Forget about crucifying the flesh, suffering for
Christ, denying oneself, bearing the Cross and being persecuted for
righteousness' sake. With China Wine, the wine of the spirit has undergone a
worldly fermentation to become a symbol of decadence, debauchery, sordidness
and lewdness.
And here is where Sun Ho had
reinvented herself with the many faces she project for the public to cringe,
twitch and marvel at. At the same time that she projected the image of a wanton
and loose geisha in China Wine, she was also a globetrotting celebrity leading
a team to raise funds for victims of natural disasters.
She helped to build medical
clinics and orphanages in Indonesia, China and Sri Lanka. In 2002, she was
awarded "The Outstanding Young
Person Award" and the next year, she was voted "The Outstanding Young Person of the World
Award." She also donated her royalties to build schools in Chongqing,
Guizhou and Henan.
In 2008, she was appointed
the Music Ambassador for the Beijing Olympics. And to add to her multiple
public portfolios, Sun Ho is also a businesswoman who had set up boutiques in
2006 and 2007 to market and sell American labeled apparels and accessories.
With the notoriety she had
gained from China Wine, she layered it with the popularity that came with doing
charity work. This is definitely one personality you can't pin down. But
whether you like her or not, controversies and praises doggedly shadow her
wherever she goes. And the last public stunt that shot her to stardom of an
unnerving kind was the 2010 investigation, leading to a trial that lasted for
three years and concluding with convictions, sentences and appeals of all
accused. The outcome of the appeal is in a few days' time.
In the trial, revelations of
her extravagant lifestyle shocked the church and public, causing thousands to
leave the church and the faith. Her upscale LA mansion, where she rented to
film her music videos, costs the church $28k a month. She (and her husband) took
in S$1.4 million from 2006 to 2009 as payment for her music artiste salary,
royalties and bonuses, and her personal expenses came easily up to half a
million. She also lives in an apartment in Singapore that runs up to the millions.
Further, it was revealed
that her husband had misled the church he professed to have loved with sham
bonds, sham companies and sham announcements of inflated album sales when there
was clearly a massive deficit.
All this was done just so
that the Crossover Project could have some semblance of authenticity,
credibility and success. If it were truly God’s ordained plan, then one has to
wonder, why all the surreptitiousness, subterfuge and sophistry? Why is CHC’s
culture “mired in secrecy”? Why not just
come clean and be honest with their congregation since the members have come
forward during the trial claiming that they would have given freely to the
pastoral couple regardless of how the money was to be used? (I call it the blankcheque faith).
These are questions that have
divided believers with her supporters claiming that she is going through
persecution for her faith and her detractors claiming that she is using church funds
to realize her teenage dream of becoming an international pop star with the tag-along
goal of evangelism to boot.
So, these are the many faces
of Sun Ho, and her singing-cum-pastoral ministry over the last three decades,
which she had started when she was only 20 years old, has been a rather
complicated, stigmatized and belabored one. She is therefore anything but an
open book. And with her husband firmly controlling the purse-string of the church
and ordaining her recently to lead CHC 2.0, the beloved couple have violated
the one cardinal rule of accountability and leadership ethics to their
congregation, and that is, conflict of interests.
Alas, from one pastor to
another, let me briefly introduce Pastor Eugene H. Petersen before I end. I
have read his memoir entitled “The Pastor”
and I have to say that he is a man who had lived an understated life as a
pastor (he’s retired), but with overwhelming impact nevertheless on the people
he met and ministered to.
Pastor Petersen discreetly
stayed out of the limelight. He didn’t pursue or court the world in order to
change it. On the contrary, he pursued the lover of his soul in order to change
the world.
His ministry did not operate
on a shock-and-awe basis, borrowing
the world stage to introduce one’s savior to a besotted crowd who cares more
about the one on stage strutting her stuff than the one she apparently urges
all to exalt.
The danger of Sun Ho’s modus
operandi is that it is a case of competing visibility (by crowd perception) where God and the earthly star are both exalted.
As such, the devotion and worship are mixed and shared, and often muddled. Take
the earthly star away and you can rest assured that many will fall away too. It
is unfortunately a case of evangelism by personality and not so much by
sacrifice and humility.
I guess that is why Jesus
did not come in golden robe and heavenly chariots, with his angels making
advance booking in the most luxurious palatial room in the Roman province, and waiting
to be served by a coterie of indentured servants. He also did not fill up the
grand amphitheaters and hippodromes with cheering crowd and amaze them with supernatural
stunts and manifestations.
Jesus came almost
anonymously, spent decades in the humblest abode, intermingled with the
disenfranchised, dispossessed and disadvantaged, taught and served twelve
social misfits, traveled from one place to another with no permanent residence
(or “church”) to call home, left all finances to His heavenly Father, performed
miracles without drawing attention to himself, consciously sought only to
glorify the one who had sent him, and with nothing and in blood he came, he left
in the same way, that is, in blood, in gore and with nothing to his name.
Jesus dispossessed himself
in order to possess all. He denied himself in order to save all. And he led
with a servant heart in order to transform all. He did not court the world so
as to do his Father’s will. He courted his Father’s will so as to change the
world.
RT Kendall once said that we
often see the dove coming down from heaven (Matthew 3:16) and miss the Son standing before us.
With the controversies that have dogged Sun Ho’s life and ministry, I wonder,
did we miss the Son for the dove? Or worse, conveniently assume that the Son
and the dove are interchangeable. Cheerz.
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